云南佤族仪式音乐和谐共生模式研究

Study on the Harmonious Symbiosis Model of Wa Ritual Music in Yunnan

多元仪式音乐和谐共生是云南佤族同其他民族和谐、团结民族关系在音乐范畴中的投射。民族迁徙、杂居形成的互嵌格局为佤族仪式音乐文化生成、交融提供了社会条件,“和而不同”思维模式是佤族多元仪式音乐和谐共生的心理基础,持续吸纳异质仪式音乐要素并将其整合于佤族民族文化是佤族多元仪式音乐和谐共生之根本。佤族多元仪式音乐构筑了佤族共同精神家园,其生成与演化模式契合了中华民族音乐“多元一体”特质。

The harmonious coexistence ofmultiple ritualmusic is the projection of the harmonious and united ethnic relationship between the Wa nationality and other nationalities in Yunnan in the music category.The inter-embedded pattern formed by ethnic migration and cohabitation provides social conditions for the formation and integration of Wa ritual music culture.The“harmony with difference”thinking mode is the psychological basis for the harmony of Wa’s multi-ritual music.The continuous absorption of heterogeneous ritual music elements and their integration into Wa’s culture is the basis for the harmonious coexistence of Wa’s multi-ritual music.The Wa nationality’s multi religious music constructs the Wa nationality’s common spiritual home,and its generation and evolution model con-forms to the“pluralistic integration”characteristics of Chinese national music.