生命体验与艺术追求:法国导演尼古拉·瓦尼埃的电影视界

Life Experience and Artistic Pursuit:the Cinematic Scene of French Director Nicolas Vanier

自1995年执导《雪的孩子》开始,法国导演尼古拉·瓦尼埃便将电影镜头对准大自然,聚焦人与自然和谐共处、地球家园生态平衡等问题,他通过温情写实的主题阐释、自然平淡的叙事方式、现实主义的创作手法,探讨人与自然、人与动物的关系。文章借助于“行动者网络理论”来分析瓦尼埃电影中人与非人要素的共构与转译。同时,依托中国传统儒家思想中“钓而不纲,弋不射宿”的动物伦理观与“和实生物,同则不继”的生命哲学观,来认识瓦尼埃电影中尊重生命的精神特质与价值取向,并思考瓦尼埃电影的人文主义精神与生态思想观念。

Since directing the film The Snow Child in 1995,French director Nicolas Vanier has focused his filmon nature,on the harmonious coexistence between human and nature,the ecological balance of the earth home and other issues.Through the warm and realistic interpretation of the theme,the natural and plain narrative,and realistic creative techniques,he explores the relationship between human and nature,human and animal.In his films,a sense of consistency and integrity in creation can always be maintained.Theauthor analyzes the co-construction and translation of human and non-human elements in Vanier's films from the perspective of"Actor Network Theory".At the same time,based on the animal ethics of"neither using nets to catch fish,nor shooting birds already back to the nest",and the life philosophy in traditional Chinese Confucianism"when harmony is achieved,all things can grow and develop.If they are exactly the same,they cannot develop and continue",we can understand the spiritual characteristics and value orientation of respecting life in Vanier's films,and think about the humanistic spirit and ecological ideology of his films.