寻绎演化:碑帖融合的流变与当代书法评论

Tracing Evolution:A Study on the Evolution of the Integration between Stele and Scripture and Contemporary Calligraphy Criticism

碑帖融合论一直受到晚清民国“碑学”理论的影响,20世纪初期,随着书法新材料的出现,碑帖之辨不断被扬弃,碑帖融合观念在回归墨迹到刀笔相参的探讨中得到发展。然而,其理论化的完成又受西方现代和后现代艺术理论的影响而发生断裂。当下,碑帖融合的深度与广度已成为书坛发展的契机,发掘碑帖融合新义,构建其独立的研究领域,将有助于当代书法评论的深入发展。同时,对碑帖融合的创新是一条无止境的探索之路,亟需当代书法评论的引领,以呼应新时代笔墨艺术的需求,从而赋予其新的使命与意义。

The integration of stele and scripture has been influenced by the theory of“stelology”in the late Qing and the Republican period of China.During the early 20th century,with the emergence of new calligraphic materials,the discrimination of stele and model calligraphy was gradually sublated.Although the integration of stele and scripture was developed in the discussion on returning to handwritings to the integration of knives and brushes,the completion of its theorization was also affected by the influence of modern and postmodern Western art theories.At present,the depth and breadth of the integration of stele and scripture has become an important opportunity for the development of calligraphy.Constantly exploring the new meaning of the integration between stele and scripture,constructing its research field which is independent will contribute to the in-depth development of contemporary calligraphy criticism.At the same time,the innovation of the integration of stele and scripture is an endless exploration path that urgently needs the guidance of contemporary calligraphy criticism,which will not only respond to the needs of the new era,but also give it a new mission and significance.