摘要
栖霞寺传统雕塑艺术主要由千佛岩龛像和舍利塔浮雕组成。由于两处分别建于不同时代,其图像明显存有各自类型风格特征。本文以两处传统雕塑为研究对象,首先对千佛岩雕塑作类型风格方面的分析,同时比较其与北方石窟造像样式间的关系;其次对舍利塔的八相图和十六身飞天像的本土化、时代特征做进一步的探讨。
The traditional sculpture art of Qixia Temple is mainly composed of the niches of Thousand-Buddha Grottoes and the relief sculpture of the Dagoba.Due to the fact that the two sites were built in different eras,their images clearly have their own stylistic characteristics.This paper,taking the two traditional sculptures as the research object,first analyzes the types and styles of the sculptures on Thousand-Buddha Grottoes and compares their styles and those of northern grottoes,and then further explores the localization and era characteristics of the Eight-phase Diagram and the Sixteen-body Flying Apsaras of the Dagoba.
作者
尚荣
SHANG Rong(Department of Philosophy,Nanjing University,Nanjing,Jiangsu,210023,China)
出处
《江苏第二师范学院学报》
2023年第2期1-7,124,共8页
Journal of Jiangsu Second Normal University
基金
2021年度江苏省社会科学基金课题“江苏雕刻遗存类型风格及其艺术价值研究”(项目编号:21YSB016)。
关键词
栖霞寺
千佛岩
舍利塔
类型风格
Qixia Temple
Thousand-Buddha Grottoes
the Dagoba
types and styles