作为世界电影的中国电影及其跨文化传播

Chinese Cinema as A World Cinema and its Cross-cultural Communication

世界电影视野的引入,为人们思考中国电影在全球电影版图上的定位,以及研究相关的跨文化传播问题,提供了一个可行的参照系和考量维度。我们在使用中国电影这一概念时,其实是在自设与他设的世界电影概念内理解和使用它。作为全球大众文化传播视野中的小众存在,中国电影被视为能够打入国际影院内部的极具竞争力的力量,它在提供一种全新的观看和体悟世界的方式的同时,也推动了跨文化国际传播进程。中国电影努力开创表述中国当下和未来的多种影像呈现方式,以自身的特殊普遍性创造出全新的意义表达和抵制性复调,并以集体话语方式营造出国际传播语境中的多重情境,为跨文化传播提供了一种全新的可能路径。

The introduction of the field of world cinema provided a possible reference and consider dimensions for rethinking Chinese cinema's position among world cinema map and cross-cultural communication issues.When we use the concept of Chinese cinema,we understand and use it within the concepts of World cinema.In the vision of global mass culture communication,Chinese cinema as a kind of minor cinema has been regarded as a powerful competitive force to get inside the world cinema,which provides a new watching and experiencing method of our world and promotes the process of cross-cultural international communication.Chinese cinema strives to create a variety of ways of China's present and future image presentation,it also creates a new expression of meaning with our special universality,and creates multiple situations in the context of international communication with a collective discourse,which provide a new possibility for cross-cultural communication.