“互文性”视域下的谭盾多媒体音乐——兼论《女书》的多重结构现象

The intertextuality of Tan Dun's Multimedia Music: On the Multiple Structures of“Nu Shu: TheSecret Songs of Women”

文章在“互文性”视域下利用贾达群教授的“结构对位”分析方法,对谭盾的多媒体音乐作品《女书》进行解读,在揭示其多媒体音乐中的互文手法的基础上,探究《女书》的互文性特点及互文性策略引发的结构对位,从而在“互文性”文本场域中对谭盾的音乐作品进行认识。通过研究对视觉影像介入听觉音乐形式的作品,及这种具有民族志影像特征的艺术音乐进行多维度分析路径实践,以期对此类作品及谭盾的音乐从不同视角进行释义。

This article borrows Jia Daqun's"structural Counterpoint"approach to interpret Tan Dun's multimedia music and"Nu Shu:The Secret Songs of Women"from the perspective of"intertextuality".This study explores the intertextual characteristics of multimedia and music,Tan's“Nu Shu”,and its structural counterpoint.It investigates the multi-dimensional analysis of works with visual images intervening in aural musical forms and music with visual et hnography,in order to interpret Tan's music and others'works from different perspectives.