摘要
《帝国幻景:跨越清宫绘画的边界》(Imperial Illusions:Crossing Pictorial Boundaries in the Qing Palaces,2015)是圣路易斯华盛顿大学艺术史和考古学的副教授李启乐(Kristina Kleutghen)出版的第一本专著。该书采用了一大批之前未曾完整公布的故宫通景画材料,通过对这些画作所处的空间原境进行分析,试图论证欧洲视觉形式在清宫是如何被整合吸收的,并由此探讨由文化交流碰撞所带来的中国画内部体系重组。
Imperial Illusions:Crossing Pictorial Boundaries in the Qing Palaces(2015)is the first monograph published by Kristina Kleutghen.Kristina Kleutghen is David W.Mesker’s Associate Professor of Art History and Archaeology at Washington University in St.Louis.This book uses a large number of materials from Tongjinghua from the Forbidden City that has not been fully published before.By analyzing the original space of these paintings,it tries to demonstrate how European visual forms were integrated and absorbed in the Qing Palace and discuss the reorganization of the internal system of Chinese painting from cultural exchanges and collisions.
出处
《艺术设计研究》
CSSCI
2023年第2期117-122,共6页
Art & Design Research
关键词
错视画
线法通景画
视角差异
Trompe l’oeil
Scenic illusion painting
the Perspective difference