摘要
《夜色温柔》是美国现代主义经典影片,主人公迪克是一个具有双重人格的悲剧性人物,他的人生悲剧不仅是爱情与性格的悲剧,还是整个时代的悲剧。整部影片反映了美国“爵士时代”背景下,人们追求物质享受,精神世界空虚迷茫,甚至连精神病医生也难以摆脱精神疾病的困扰。文章从弗洛伊德精神分析理论入手,以本我、自我、超我为切入点剖析《夜色温柔》迪克形象悲剧的人生选择,解读畸形婚姻关系及婚外情,探析主人公迪克悲剧人生的成因。
“Tender Night”is a classic American modernist film,in which the protagonist Dick is a tragic character with a dual personality.The tragedy of his life is not only a tragedy of love and character,but also a tragedy of the entire era.The entire film reflects the pursuit of material enjoyment and the emptiness and confusion of the spiritual world in the context of the“Jazz Age”in the United States,and even psychiatrists find it difficult to escape the troubles of mental illness.Starting with Freud’s psychoanalytic theory,this paper analyzes the life choice of the tragic image of Dick in“Tender Night”from the perspective of id,ego and superego,interprets the deformed marriage relationship and extramarital affairs,and explores the causes of the tragic life of the protagonist Dick.
作者
吕雪芬
LV Xue-fen(Wanjiang Institute of Technology,Ma’anshan 243031,China)
出处
《哈尔滨学院学报》
2023年第4期108-112,共5页
Journal of Harbin University