非物质文化遗产代表性项目宋江阵的中国台湾书写研究

Study on Taiwan's Writing of Songjiang Array,a Representative Project of Intangible Cultural Heritage

宋江阵兴起于明朝的福建沿海地区,明末由郑成功传入中国台湾。百年来,宋江阵活跃在闽台的民俗节庆活动中,近年来先后入选“中国台湾十二大地方节庆活动”、福建省非物质文化遗产名录。台湾地区文学中的宋江阵书写主要集中在20世纪二三十年代、70年代和新世纪之后,历时态地展现了殖民现代性、文化寻根、日常书写、影戏改编等变化。比较言之,中国内地地区关于宋江阵的历史记述与文学描写较少,台湾地区的宋江阵书写不仅可以弥补地方文献缺憾,填补非遗文化书写的空白,还以文学的方式记录了宋江阵播迁中国台湾后的历史际遇,勾连着中国台湾社会的殖民现代性、回归传统思潮及全球化冲击下的地方文化回应等问题。

Songjiang Array rose in the coastal areas of Fujian in the Ming Dynasty,and was introduced to Taiwan Region by Zheng Chenggong in the late Ming Dynasty.Over the past century,Songjiang Array has been active in folk festivals in Fujian and Taiwan,China.In recent years,it has been selected as one of"the Twelve Large Local Festivals in Taiwan,China"and listed on the Fujian Intangible Cultural Heritage List.The writing of Songjiang Array in Taiwan's literature mainly concentrated in the 1920s,1930s,1970s,and after the new century,which chronically showed the changes of colonial modernity,cultural roots,daily writing,film adaptation and so on.In comparison,there were few historical accounts and literary descriptions of Songjiang Array in Chinese Mainland.The writing of Songjiang Array in Taiwan,China could not only make up for the shortcomings of local literature and fill the gap in the writing of intangible cultural heritage,but also record the historical experience of Songjiang Array after it was transferred to Taiwan,China in a literary way,linking the colonial modernity of Taiwan society,the trend of thought of returning to tradition,and the local cultural response under the impact of globalization.