当代艺术图像批评的多元策略与审美向度

The Strategy and Aesthetic Dimensions of Contemporary Art Image Criticism

在二十世纪中后期,图像作为一种特殊的艺术符号和审美样式,直接带来了图像批评在文艺批评方法论中的兴起。消费主义时代到来后,工具理性和技术至上主义使艺术从内容到形式都发生了巨大变革,新的艺术批评随之而来。图像批评拓展了接受美学,以直观、丰富的艺术形式展现于读者面前。当代艺术图像的批评策略,从文本批评的内视角、作品结构的多维度、作品主题的多元化、作品外延的延展等角度进行。从叙事模式、观察视角、批评方法来看,图像批评是对传统艺术批评更高维度的承接和革新。

In the middle and late 20th century,the image,as a special artistic symbol and aesthetic style,brought the rise of image criticism in the methodology of literary criticism.With the advent of the era of consum‑erism,instrumental rationality and technology supremacy have made great changes in art from content to form,and new art criticism has followed.Image criticism expands reception aesthetics and presents it to readers in intuitive and rich artistic forms.The critical strategy of contemporary art images is carried out from the perspective of the internal perspective of text criticism,the multi-dimensional structure of the work,the diversification of the theme of the work,and the extension of the extension of the work.From the perspective of narrative mode,observation perspective,and criticism method,image criticism is the acceptance and innovation of a higher dimension of traditional art criticism.