中国门神年画色彩艺术语言研究

Study on the Color Art Language of Chinese Door-god Picture Painting

门神年画是最早形成的一类木版年画,是民间美术中一种重要表现形式,是中国传统文化的重要载体。本文从门神年画的概述、门神年画色彩形成的心理动因、色彩特征等方面进行研究,并结合了山东杨家埠门神年画和四川绵阳县门神年画的个案分析,来更好地了解门神年画的色彩特征及用色规律,为保护中国传统民间门神年画的色彩提供一定的参考,促进民间传统色彩理念的创新。

Door-god picture Painting is the earliest type of woodblock New Year painting,which is an important form of expression in folk art and an important carrier of traditional Chinese culture.This paper studies the overview of Door-god picture Painting,the psychological motivation and color characteristics of the color formation of Door-god picture painting,and combines the case analysis of Door-god picture Painting of Yangjiabu in Shandong Province and the Door-god picture Painting of Mianyang County in Sichuan Province,to better understand the color characteristics and color usage rules of Door-god picture Painting,provide a certain reference for protecting the color of traditional Chinese Door-god picture Painting,and promote the innovation of traditional folk color concepts.