写生之道——赵昌《写生蛱蝶图》设色研究

The Way of Sketching—A Study on the color of Painted Butterfly by Zhao Chang

赵昌处在一个绘画上重视写生的时代。北宋花鸟画受当时的理学思想的影响,以“格物穷理”的态度来面对绘画创作,重视绘画对象的写实性,同时也要求传达出绘画对象的内在精神格法。而赵昌在当时黄筌、徐熙两大流派盛行的潮流中,以其独特的写生感悟与设色特点而受到赞誉。本文将聚焦于赵昌的《写生蛱蝶图》,着重探究其绘画的设色方式和特点,及写生在其中的重要作用,并探寻写生对现代花鸟画创作的意义。

Zhao Changchu in an era of painting emphasis on sketching.Under the influence of neo-Confucianism at that time,flower-and-bird painting in the Northern Song Dynasty takes the attitude of"lack of reason in the form of objects"to face painting creation,attaches importance to the realism of painting objects,and tends to convey the inner spirit of painting objects.And Zhao Chang on the prevailing trend of the two schools with Huangquan and Xuxi at that time,was praised for its unique rendering perception and color setting characteristics.This paper will focus on Zhao Chang's Painting Painted by a Butterfly,focusing on the way and characteristics of color,and the important role of sketching in it,and explore the significance of sketching to the creation of modern Flower-andbird painting.