摘要
《莎拉·肯恩在4.48上书写》精准阐释了萨拉·肯恩的“直面戏剧”特质,在内容和形式上凸显了极端暴力与极致温柔冲突中的人性存在。“崩溃”主题是一种现代性的存在之思,也是一种女性之思。“颠覆”形式是一种文本的突破,也是剧场表现的先锋性。《莎拉?肯恩在4.48上书写》所再现的“直面戏剧”触及了艺术与生活的双重本质,具有较强的启发意义。
Sarah Kane's characteristic of in-yer-face theatre is precisely interpreted in 4.48 Psychosis,in which humanity is prominently displayed through both content and form in the conflict of extreme violence and supreme gentleness.The theme of"breakdown"is the profound consideration of the existence of modernity and rethinking of women as well.The form of"subversion"is not only a breakthrough in the text but also a theatre manifestation of Avant-garde."In-yer-face theatre"in 4.48 Psychosis touches both art and life,which is quite enlightening for us.
作者
徐丽娜
XU Li-na(Tianjin Land Resources and House Vocational College,Tianjin 300270,China)
出处
《赤峰学院学报(哲学社会科学版)》
2023年第4期38-41,共4页
Journal of Chifeng University:Philosophy and Social Science Chinese Edition
关键词
直面戏剧
崩溃
颠覆
存在主义
女性
文本
剧场
In-yer-face Theatre
Breakdown
Subversion
Existentialism
Femininity
Text
Theatre