从黄公望《九峰雪霁图》论山水画的意与笔墨

On the Composition of Brush and Ink in Imagery Landscape Painting from Huang Gongwang's The Scene of Nine Snowy Peaks

中国山水画创作重“意”,尤其是在受文人思想影响下的元代山水,尤崇尚“意”。作为元四家之首的黄公望,其代表作《九峰雪霁图》在表现造化自然时不拘泥于自然造化外形的再现,而是以笔墨为语言,运内在的精神气韵,再现画家的内在心境。“外师造化,中得心源”强调画家与所绘事物之间的感应,以笔造型、以墨凝气,以景表意,笔墨成了画家抒发“意”的手段。而元四家的山水画影响了之后的文人画笔墨也是基于此种笔墨表达。

painting language symbols which have become main means of image composition externalization.It is through this unique language symbolism that the imagery landscape painting of the four masters of the Yuan Dynasty was able to influence later literati brush and ink paintings.