摘要
安妮·埃尔诺在《耻辱》中第一次阐明民族志书写的创作意愿,小说记叙了家庭暴力对叙述者造成的童年创伤,以及工人阶级和中产阶级两大阶层的区隔产生的社会耻辱感。她从自身经历和家庭延伸,关注被人们忽略却普遍存在的社会问题和现象,揭示两大阶层语言、习惯、品味的差异,使其自我民族志书写具有丰厚的社会学意蕴。埃尔诺通过日常生活的揭示探讨阶层、区隔、身份等社会议题,日常生活成为她实践自我民族志书写的方式和内容。耻辱感作为记忆的激活剂,在记忆场中真实地再现法国战后的社会风貌和不同阶层的生活空间、文化趣味和日常习惯。
Anne Ernaux first articulates the creative will to write ethnographically in La Honte,a novel that recounts the childhood trauma inflicted on the narrator by domestic violence and the social stigma generated by the division between the two major classes,the working class and the middle class.She draws on her own experiences and family to focus on social issues and phenomena that have been overlooked but are widespread,revealing the differences in language,habits and tastes between the two classes,giving her autoethnographic writing a rich sociological connotation.Ernaux explores social issues such as class,division and identity through the revelation of everyday life,which becomes the way and content of her autoethnographic writing.The sense of shame becomes an activator of memory,and in the field of memory,she authentically recreates the social landscape of post-war France and the living space,cultural interests and daily habits of different classes.
作者
侯营
HOU Ying(School of Arts,Zhengzhou Normal University,Zhengzhou,Henan 450000,China;The College of Literature Tianjin Normal University,Tianjin 300387,China)
出处
《河北民族师范学院学报》
2023年第2期93-98,共6页
Journal of Hebei Normal University For Nationalities
关键词
《耻辱》
自我民族志
社会学
日常生活美学
记忆场
La Honte
autoethnography
sociology
aesthetics of everyday life
field of memory