摘要
《文心雕龙·原道》篇“调如竽瑟”“和若球鍠”二句,诸家笺注未见详论。此二句与“林籁结响”“泉石激韵”类比,实则折射出刘勰对“人籁”的思考。“人籁”可进一步划分为“内听”与“外听”,乐器之声即为“外听”,韵律之文即为“内听”,五十篇“赞曰”的用韵所实现的五音相谐,正是内听的具体体现。这不仅是汉代以来五行思想的流衍,更是中古天人关系演进的一个侧面体现。
Yuan Dao of Wen Xin Diao Long has two sentences:“tiao ru yu se”and“he ruo qiu huang”,which have not been discussed in detail in various explanatory notes.The analogy between these two sentences and“lin lai jie xiang”“quan shi ji yun”actually reflects Liu Xie’s thinking on“the sound of human”.It can be divided into“internal listening”and“external listening”.The sound of musical instru-ments is“external listening”,and verse is“internal listening”.The pentatonic harmonic realized by the rhyme of 50“poetic praises”which is the concrete embodiment of“internal listening”.Not only did it re-flects the evolution of the thought of five elements since the Han Dynasty,but also reflects the evolution of the relationship between heaven and human in the middle period.
作者
李燊
刘泽灵
Li Shen;Liu Zeling(The Department of Chinese Language and Literature,Fudan University,Shanghai,200433;Nantou High School,Shenzhen,Guangdong,518052)
出处
《语文学刊》
2023年第2期11-17,共7页
Journal of Language and Literature Studies
基金
国家社科基金重大项目“《文心雕龙》汇释及百年‘龙学’学案”(17ZD253)子课题“《文心雕龙》精义今释”阶段性研究成果
国家留学基金资助(202206100025)。
关键词
“调如竽瑟”
“和若球鍠”
内听
赞曰
天人关系
“diao ru yu se”
“he ruo qiu huang”
internal listening
poetic praises
the relationship between heaven and human