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话剧《清宫怨》的抒情性表达

On the Lyrical Expression of the Drama Malice of the Empire
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摘要 话剧《清宫怨》是一部以清末戊戌变法为背景,再现变法与反变法宫廷斗争,演绎人事浮沉的历史悲剧。姚克以物象景象充盈情境,建构了一系列与现代国家形象相契合的文化符码;以渗透戏剧化的抒情力量丰富历史剧中的个体生命情感,呈示从危机苦难的现实境遇投身民族复兴、家国一体的追问与探求。《清宫怨》中具有中国风味的抒情性表达,凸显出作者对人情人性的深刻体察,以及与战时语境下本土民众的审美趣味形成的同频共振,在对传统戏曲美学的继承中推动了中国话剧的民族化。 With the background of the Hundred Days’Reform at the end of the Qing Dynasty as the background,the drama Malice of the Empire created by YAO Ke in the Lonely Island period of Shanghai is a historical tragedy depicting the palace struggle between the Reformists and the Anti-reformists and the ups and downs of the characters involved.The author retains the lyrical characteristics of traditional Chinese opera,not only by using props to express emotions,but also by creating rich scenes to enhance the dramatic effect.Moreover,the setting of dramatic situations and the arrangement of the plot structure blend lyricism and dramaticity,which demonstrates the author’s ability to absorb the strengths of traditional Chinese opera in exploring the internal rules of theatrical art and enriching the form of drama.This work is a valuable attempt to construct national drama and showcase modern national spirit with its deep understanding of Chinese themes and human emotions.
作者 侯梦汐 HOU Mengxi(Anhui Normal University,Wuhu 241000,China)
机构地区 安徽师范大学
出处 《金华职业技术学院学报》 2023年第2期76-82,共7页 Journal of Jinhua Polytechnic
关键词 姚克 《清宫怨》 抒情性 民族国家 YAO Ke Malice of the Empire lyricism nation-state
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