唐亚平诗歌女性意识流变新探

On Changes in Female Consciousness in TANG Yaping's Poetry

唐亚平是“第三代女性诗歌”的代表诗人之一,她以《黑色沙漠》组诗在80年代诗坛发出专属于女性的“呐喊”,被看作是“女性意识的觉醒”,引人注目。纵观她的诗歌创作,无论是前期在《田园曲》《高原女人》中对于女性、男性形象的书写,还是后期在“房间”内通过触、视、听三重感官对于世界的感知,都与女性意识密不可分。可见,唐亚平的女性意识经历了一个漫长而挣扎的流变过程:生长——强化——“消退”。

As one of the representative poets of the“third generation female poetry”,TANG Yaping made a“cry”specifically for women in the poetry world in the 1980s with her“Black Desert”series,which marked her“awakening of female consciousness”and is eye-catching.Throughout her poetry creation,whether it is the portrayal of women and men in the early stages of“Pastoral Song”and“High Altitude Woman”,or the perception of the world through the triple senses of touch,sight,and hearing in a“room”in her later works,it is closely related to female consciousness.In short,TANG's female consciousness underwent a long and struggling process of transformation:growth,reinforcement,and“ablation”.