摘要
宝宁寺水陆画内容以佛、菩萨、罗汉为主,另有道教神和儒家经典人物等形象,还有描绘世俗生活、反映社会问题的平民百姓形象。女性形象作为宝宁寺水陆画的重要组成部分,既继承了唐宋宗教壁画和仕女人物画的风格,又反映明代早期社会的审美倾向和社会风俗。宝宁寺水陆画中的女性形象,在构图样式、造型艺术特征、线条与设色、服饰妆容等方面具有自己的特点,其与唐宋宗教壁画、仕女人物画也有继承关系,厘清其中的细节有助于丰富人们对宝宁寺水陆画的认识。
The Shuilu paintings at Baoning Temple mainly include Buddhas,Bodhisattvas,Luohans,Daoist deities,Confucian classical figures,and images of commoners from secular life.As an essential part of Shuilu paintings at Baoning Temple,the female figures inherited the style of religious murals and shini paintings from the Tang and Song dynasties and,at the same time,refected the aesthetic tendencies and social customs of early Ming dynasty society.By analyzing the composition,figural portrayal,lines,colors,and clothing and makeup of female figures,the author points out the connection between the Shuilu images at Baoning Temple and the religious murals and shini paintings of the Tang and Song dynasties.This research enriches people's understanding of shuilu paintings of Baoning Temple.
出处
《艺术与民俗》
2023年第1期88-95,共8页
Journal of Arts and Folklore
关键词
宝宁寺水陆画
女性形象线条设色
Shuilu Paintings of Baoning Temple
Female Figure
Line
Coloring