摘要
在中国现代诗歌研究领域,有关诗歌形式本体的话题持续得到关注,由王雪松所著的《节奏与中国现代诗歌》正是诗歌本体研究的深入推进。王雪松将中国现代诗歌节奏置于中西方比较的视野中进行观照,同时援引语言学和心理学相关理论,采取了共时性研究与历时性研究相结合的方式。该书从诗歌节奏原理出发,结合具体的诗歌节奏实践文本,梳理了新诗的节奏学说,总结了相关节奏形态,初步建立了中国现代诗歌节奏诗学研究的体系,并阐释了该节奏体系的运转机制。
In modern Chinese poetry research,the topic of poetry form noumenon continues to receive attention.Rhythm and Modern Chinese Poetry,written by Wang Xuesong,is an in-depth poetry ontology research.The author makes both synchronic and diachronic study of the rhythm of modern Chinese poetry from the perspective of comparison between China and the West,and uses the relevant theories of linguistics and psychology.The book starts from the principle of poetry rhythm,combs the rhythm theory of new poetry,summarizes the relevant rhythm forms,initially establishes the poetics research system of Chinese modern poetry rhythm,and explains the operating mechanism of the rhythm system,combining with specific poetry rhythm practice texts.
作者
郝智锐
HAO Zhirui(School of Chinese Language and Literature,Central China Normal University,Wuhan Hubei 430079)
出处
《湖北理工学院学报(人文社会科学版)》
2023年第3期42-46,共5页
Journal of Hubei Polytechnic University(Humanities And Social Sciences)
基金
国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库建设(1917—1949)”,项目编号:16ZDA240。