摘要
对致力于明星现象和明星制度的研究者来说,理查德·戴尔的《明星》是一个里程碑式的存在,基于戴尔理论的万能公式,明星不再被视为充满魅力的真实肉身,经由社会学与符号学的双重研究路径,寻绎被媒介建构“明星文本(Star Text)”的多种含义。但是,随着以数字信息为核心的后传播时代的来临,明星研究也迎来了分水岭,新媒介环境滋养并与之共生的明星,不再是戴尔意义上的胶片明星,而是在泛娱乐多媒体的传播机制中被建构起的视觉明星,明星研究也将迎来新的挑战。
For these who are engaged in studying film stars and system,the book Stars by Richard Dyer is a mile-stone work.Based on the universal formula in Dyer's theory,the researchers eschew the cults vested in the stars and elaboratethe multiple connotations of“Star Text”written by the media by virtue of a dual path of sociology and semiotics.However,with the advent of the post-communication era marked by digital information as the core,stardom research has also ushered in a watershed.Stars who are nourished and co-exist with the new media environment are no longer film stars in the sense of Dyer,but visual stars constructed in the communication mechanism of pan-entertainment multimedia,and the critics will also face new challenges in their star research.
基金
教育部人文社科研究青年项目“‘中国形象’在好莱坞的他塑与自塑研究(1919-1937年)”(项目批准号:22YJC760069)
河南省哲学社会科学规划项目青年项目“‘中国形象’在好莱坞的他塑与自塑互动研究(1896-1937)”(项目批准号:2022CYS053)
河南师范大学博士科研启动项目“无声电影时期华语电影女明星形象建构研究”(项目批准号:5101099171175)的阶段性研究成果。
