欧阳予倩“红楼戏”审美形式新探

A New Study on the Aesthetic Form of Ouyang Yuqian's Xiqu Adaptations of A Dream of Red Mansions

欧阳予倩自编自排自演的“红楼戏”是其早期舞台生涯的代表作。欧阳予倩“红楼戏”的审美形式由他的社会人生观念和他在创作中使用的艺术手段共同构筑。因此,他的“红楼戏”的审美形式具有两个特征:其一,作品通过核心人物的动机,表现欧阳予倩基于自身社会人生观念产生的感情体验,即对“家”的渴求;其二,作品通过场面的开掘与铺排,增强人物行动的感情张力,进而实现人物动机的完整呈现。

Ouyang Yuqian's early work is exemplified in his Xiqu Adaptations of A Dream of Red Mansions adapted,rehearsed,and performedall by himself.The aesthetic forms of these adaptations should be considered as an integration of the author's conception of society and life and his artistry.Therefore,the two prominent features of his adaptations is as follows:firstly,these adaptations express the longing for“home”which originated from the author's life experience and serves as the common motivation of the main characters;secondly,the construction of the scenes strengthens the emotional tension of the main characters'action,which presents their motivation in full view.