摘要
《芥子园画传》初集在历代画谱成果的基础上,以“蒙学”为切入口,对山水画程式逐一归类解析,将技法与画学理论有机整合,进一步地完善了中国传统山水画的认知体系。在渐修式学习观的主导下,通过分类、类比、类推等方式系统地解析中国山水画的笔墨体系,树立以笔墨为中心的造型观,成为流传最广的中国画蒙学教材。
Volume One of Jieziyuan Garden Painting Manual was based on the achievements of previous painting manuals,took"elementary education"as the starting point to systematically classify and analyze the techniques and theories of Shanshui painting,further improving the cognitive system of traditional Chinese Shanshui painting.Under the dominant view of gradual learning,the brush and ink system of Chinese Shanshui painting is systematically analyzed through classification,analogy,and deduction,establishing a modeling view centered on brush and ink,and becoming the most widely circulated elementary textbook of Chinese painting.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2023年第2期36-41,I0011,共7页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
国家社会科学艺术学重大项目《中国画学研究》(20ZD12)阶段性成果。
关键词
芥子园画传
学习观
造型观
系统观
认知体系
Jieziyuan Garden Painting Manual
view of learning
view of modeling
view of system
cognitive system