摘要
冷水冲型铜鼓、灵山型铜鼓和北流型铜鼓是汉-唐代流行于岭南地区的铜鼓类型,它们硕大厚重,可合称为硕形铜鼓。这三类铜鼓的鼓面、鼓身上常有丰富多样的立饰,除固定的青蛙塑像外,还有马、牛、鸟、虎、水生生物、植物等,以及人类与动物互动的场景,如乘骑、牛耕、女婢饲马、孩童推龟、观斗蛙、击铜鼓等。这些多样性立饰融合了岭南本土文化、中原文化和滇文化的元素,形成了硕形铜鼓的独特风格。它们既是图腾崇拜的直接体现,又包含了对美好生活的向往、对勇武精神的推崇和对现实生活的反映。立饰所在位置反映了各型铜鼓的演奏方式。
Len gshuichong,Lin gshan,and Beiliu bronze drums were popular throughout the Ling nan region during the Han and Tang dynasties.They are large and heavy,and can be collectively referred to as large-shaped bronze drums.In addition to the fixed frog-shaped ornaments,other animal shapes do also ornate these instruments,such as horses,cows,birds,tigers,aquatic animals.Furthermore,seenes of human-animal interaction such as horseback riding,cattle plowing,maids feeding horses,and children pushing turtles,watching frogs fight,and playing on bronze drums may also be found on large-shaped bronze drums.These diverse reliefs blend elements of local Ling nan culture,Chinese Han culture,and Yunnan culture to create a unique style on large-shaped bronze drums.They are not only a direct manifestation of totemic worship,but also contain aspirations to a better life,reverence for the spirit of bravery,as well as depictions of real life.The position of the carved figures indicate the playing style of each type of bronze drum.
作者
孔义龙
黄若昕
Kong Yilong;Huang Ruoxin
出处
《艺术探索》
2023年第2期88-96,共9页
Arts Exploration
基金
2021年国家哲学社科基金艺术学项目“中国新石器时代晚期音乐文化研究”(21BD057)。
关键词
硕形铜鼓
蛙饰
立饰
图腾性
写实性
Large-shaped bronze drums
Frog-shaped ornaments
Relief ornament
Totemistic
Realism