东亚汉文学视域下的中国帝王行宫--越南古代文学中的圆明园形象谱系研究

The Temporary Palace of Chinese Emperors in the Perspective of East Asian Literature:A Study on Yuanmingyuan's Image Genealogy in the Chinese Language Literature of Ancient Vietnam

越南古代汉文学有长达百年的圆明园书写历史,以诗歌、散文、小说等多种文体描述了这座清代帝王行宫的盛衰变迁。它们基于文化他者的立场,以政治、文化与文学三大动力为形象基因,在基因的改变与重组中实现形象的变异与更新,在传递和阐释的双重维度中生成彼此交错的不同形象序列,构成了一个既有联系性、又有差异性的圆明园形象系统。使臣的诗歌唱和是东亚汉文学中圆明园形象交互的主要方式,越南使臣受容了中国帝王、朝鲜使臣诗作中的圆明园形象,这既是越南古代汉文学在邦交语境下对宗藩秩序作出的认同性话语反馈,也显示出官方文学交流在东亚共同体中的重要文化凝聚作用。

The ups and downs of Yuanmingyuan,the temporary palace of Qing's emperors were described in poems,essays,and fictions in the Chinese language literature of ancient Vietnam for almost a hundred years.These literature texts,who were on the cultural other's position,with political,cultural,and literary factors,the three motivations as the image genealogy,mutated and updated in the transformation and recombination of genes,and generated different image sequences interlaced with each other in both transfer and interpretive dimensions.Therefore,a image system of Yuanmingyuan with relations and diversities was formed.The main interactive pattern of Yuanmingyuan's images in the East Asian literature is the antiphon poetry of envoys.The Vietnamese envoys accepted the Yuanmingyuan's images in the Chinese emperors and Korean envoys poems,which not only expressed the Vietnamese ancient literature's identification to the suzerain-vassal order in diplomatic context,but also showed the strong cultural force of official literary activities in East Asian community.