摘要
黄宾虹融合中西现代画学颇富学理的“切点”就是他所强调的“科学中保留哲学”的思维方法,对于这一“综合性”思维方法的运用,表明了黄宾虹现代中国画学思想构建的成熟。黄宾虹认为,唐宋绘画在审美本质上的转移即是一种科学思维向哲学思维的转移,这一转移也表明了现代中国画“内美”精神的确立。
Huang Binhong fuses “points of contact” of Chinese and western modern painting thoughts,which is a way of thinking,“preserving philosophy in science”,that he emphasizes.The use of this “comprehensive” way of thinking shows the maturity of Huang's modern Chinese painting thought.He believes that the aesthetic changes of artworks created during the Tang(618-907)and Song(960-1279) Dynasties represents a transition from scientific thinking to philosophical thinking,which also demonstrates the establishment of “inner beauty” in modern Chinese painting.
作者
方辉
Fang Hui(the Shandong Academy of Arts)
出处
《美术》
北大核心
2023年第5期67-78,66,共13页
Art Magazine
关键词
黄宾虹
中国画学
现代性
民族性
Huang Binhong
Chinese painting thought
modernity
national features