期刊文献+

绘画的手工性——兼论图像与绘画的关系

The Manual Nature of Painting:Also on the Relationship between Image and Painting
原文传递
导出
摘要 绘画是图像的一部分,既有图像性,也有艺术性。摄影发明之后,绘画在图像性上让位于机械和电子图像,但在艺术性上,绘画以“脑、眼、手”为一体的手工性而有不可替代的独特性。绘画不能直接复制、挪用照片,只有在手工性中绘画的艺术性才能实现从整体到细节的全部贯通。 Painting,as a part of image,is both pictorial and artistic.After the invention of photography,painting gave way to mechanical and electronic images,but in terms of art,painting is irreplaceable and unique due to its manual nature with “brain,eyes,and hands” as a whole.Painting cannot directly copy photos.Only the artistic nature of painting can integrate details and the whole.
作者 尹德辉 Yin Dehui(the Fine Arts School, Shandong University;the Academy of Fine Arts, Linyi University)
出处 《美术》 CSSCI 北大核心 2023年第5期142-144,共3页 Art Magazine
关键词 绘画 图像性 艺术性 手工性 painting pictorial nature artistic nature manual nature
  • 相关文献

参考文献3

二级参考文献9

  • 1扎克斯尔:《瓦尔堡图书馆的历史》,范景中主编《美术史的形状:从瓦萨里到20世纪20年代》II,中国美术学院出版社2002年版,第605-621页.
  • 2E. H. Gombrich, "Aby Warburg: His Aims and Methods: An Anniversary Lecture", Journal of the Warburg and Courtauld Institutes, Vol. 62 (1999): 268.
  • 3Aby Warburg, The Renewal of Pagan Antiquity: Contn'butions to the Cultural History of the European Renaissance, trans. David Britt, Los Angeles: The Getty Research Institute for the History of Art and the Humanities, 1999, p. 108, p. 121, p. 104, p. 141, p. 141, p. 141, p. 187, pp. 190-191, p. 242, p. 249, p. 553, p. 555, p. 555, p. 563, pp. 585-586.
  • 4Georges Didi-Huberman, "Dialektik des Monstrums: Aby Warburg and the Symptom paradigm", Art History, Vol. 24, No. 5 (2001): 622, 621.
  • 5Aby Warburg, "A Lecture on Serpent Ritual", trans. W. F. Mainland, Journal of the Warburg Institute, Vol. 2, No. 4 (1939): 277-292, 282.
  • 6Georges Didi- Huberman, "The Surviving Image: Aby Warburg and Tylorian Anthropology", Oxford Art Journal, Vol. 25, No. 1 (2002): 61-690.
  • 7Aby Warburg, "The Absorption of the Expressive Values of the Past", trans. Matthew Rampley, Art in Translation, Vol. 1 (2003): 276-277.
  • 8Georges Didi-Huberman, "Preface to the English Edition", Confronting Images: Questioning the Ends of a Certain History of Art, Pennsylvania: The Pennsylvania State University Press, 2005, p. xxii.
  • 9Christopher D. Johnson, Memory, Metaphor, and Aby Warburg's Altas of Images, Ithaca: Comell University Press and Cornell University Library, 2012, pp. 11-12.

共引文献103

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部