乾隆御制瓷枕诗的文化叙事与器物之喻

Cultural Narrative and Artifact Metaphor of Qianlong Imperial Porcelain Pillow Poem

乾隆一生以诗歌为伴,在乾隆的几万首诗中,咏瓷诗有近200首,写瓷枕的诗计21首。瓷枕诗的描写多与梦境有关,梦里出现的人物皆为华夏历史上著名的人物。乾隆通过梦境表达了对良贤的渴望,也表达了对自由的向往、人生世事的思考。从器物叙事的角度表现了乾隆对中华文化的熟知和对华夏文化的高度认同。同时,乾隆从审美角度对瓷枕进行描绘,赋予瓷枕质朴的品德并抒发自己的情感,给后人以警示。在乾隆诗中,瓷枕作为幻化的媒介,不仅能沟通天地,也是进行文化叙事的物质媒介。

Emperor Qianlong was accompanied by his poems throughout his life.Among tens of thousands of poems,there were nearly 200 porcelain poems and 21 poems about porcelain pillows.The description of porcelain pillow poems is mostly related to dreams,and the characters appearing in the dreams are all famous figures in Chinese history.Emperor Qianlong expressed his desire for good sages in his dreams,and also expressed his yearning for freedom and the thinking of the life world.From the perspective of artifact narrative,it expresses Emperor Qianlong's familiarity with Chinese culture and his high recognition of Chinese culture.At the same time,he described the porcelain pillow from an aesthetic perspective,endowed the porcelain pillow with simple character and expressing his feelings,as a warning to future generations.In his poems,as a medium of illusion,porcelain pillow can not only communicate with heaven and earth,but also be a material medium for cultural narrative.