浅析文房用具中的仿生设计——以清代瓷质仿生类笔筒设计为例

Analysis of Bionic Design of Stationery in the Study--Case Study on Design of Porcelain Bionic Brush Holder in the Qing Dynasty

自然是物质的世界,形状的天地。其蕴含的无穷信息输送并启发着人类,开发人类的能动性。《中庸》第二十二章所提到的“唯天下至诚,为能尽其性”,即表达对物质之性的潜能激发到极致后的创造力。仿生类设计可谓是将材料性质掌握后达到美观与实用双结合的创造表现,它体现出设计中遵从并理解自然的设计思想;而在中国制瓷历史中已早有仿生设计的痕迹。本文则以清代文房用具中瓷质仿生类笔筒为主体,主要从造型与装饰两方面出发探析其设计特点,深入了解这一特殊艺术设计风格。

In the broadest sense,nature is the natural,physical,or material world or universe.Its infinite information transport and inspire human beings to develop human initiative.In chapter 22 of the Doctrine of the Mean,"the world is the most sincere,in order to make the best of its nature",which expresses the creativity after the potential of material nature stimulated to the extreme.Bionic design can be described as the creation of aesthetic and practical combination after mastering the properties of materials.It reflects the design idea of following and understanding nature in design.There are traces of bionic design in the history of Chinese porcelain making.This paper takes the porcelain bionic brush container in the Qing Dynasty as the main body,mainly analyzes its design characteristics from the modeling and decoration,to deeply understand this special artistic design style.