摘要
浅绛彩瓷诞生于社会动荡、经济低迷的晚清时期,消逝于民国初年。即便它“昙花一现”,却在中国陶瓷史上书写了浓重的一笔。浅绛彩瓷重视诗、书、画、印与瓷的结合,提倡“情”与“景”交融其中,它的艺术风格及表现形式开创了瓷上文人画的新方向。本文中,笔者将结合文人画的审美意趣对浅绛彩瓷的艺术特征进行分析,探究浅绛彩瓷对瓷画艺人们的思想解放与个性觉醒,以及它对瓷画发展道路的开拓性意义。
Qian Jiang porcelain was born in the late Qing Dynasty of social turmoil and economic downturn,and disappeared in the early years of the Republic of China.Even if it is a flash in the pan,but in the history of Chinese ceramics has written a strong brush.Qianjiang porcelain attaches great importance to the combination of poetry,books,painting,printing and porcelain,and advocates the integration of"feeling"and"scenery".Its artistic style and form of expression have created a new direction of literati painting on porcelain.In this paper,the author will analyze the artistic characteristics of QianJiang porcelain based on the aesthetic interest of literati painting,and explore the ideological liberation of porcelain artists and its pioneering significance to the development path of porcelain painting.
作者
李洁彬
Li Jiebin(Jingdezhen Ceramic University,Jingdezhen,333403)
出处
《陶瓷研究》
2023年第1期133-135,共3页
Ceramic Studies
关键词
浅绛彩瓷
文人画
Light crimson colored porcelain
Literati painting