摘要
假传模拟史传写法,将器物拟人,“为之作传以传其事”。杨维桢是元代假传文创作的大家,其笔下器物从竹几到白盐,皆点物成人,借用《史记》的笔法为其作传,体现出“以史为戏”的创作精神、“文道两分”的创作观念、滑稽俳谐的艺术机杼,蕴含着杨维桢个人对高尚道德节操的追求和对世态人情的讽刺。
Pseudo-biography imitates historical biography,personifies artifacts,and"write tales for them to spread their stories".Yang Weizhen was a great writer of Pseudo-biography in the Yuan Dynasty.His works ranged from bamboo to white salt,all of which were written as if they were human beings.Yang Weizhen imitated the writing approach of Historical Records and created biography for the articles,reflecting the creation spirit of“allegorical imitation of Historical Records”,creative concept of“separation of literature and the Way”and artistic mechanism with humor and sarcasm,and containing Yang Weizhen's personal pursuit of noble morality and moral integrity and his satire on human feelings of the world.
作者
王萌
WANG Meng(School of Literature,Inner Mongolia Normal University,Hohhot,Inner Mongolia,010000)
出处
《集宁师范学院学报》
2023年第1期71-75,83,共6页
Journal of Jining Normal University
关键词
假传体
杨维桢
“以史为戏”
“文道两分”
Pseudo-biography
Yang Weizhen
"allegorical imitation of Historical Records"
"separation of literature and the Way"