中西比较视阈中生命美学与实践美学之辩——读潘知常教授的《走向生命美学》

Debate on Life Aesthetics and Practical Aestheticsfrom Perspective of Chinese and Western Comparison——On Interpretation of Pan Zhichang’s Towards Life Aesthetics

以中西比较为视角,从中国传统美学的核心精神“生”“情”“境”出发,对中国著名美学教授潘知常的《走向生命美学》著作中所构建“生命视界”“情感为本”“境界取向”的“情本境界生命论”美学体系的建构和来源做深刻剖析,用以辩驳李泽厚提倡的实践美学,阐释潘知常用拿来主义的态度,广泛吸收借鉴中外美学、文学、哲学思想宝库,打通古今,融汇中西,形成独特的生命美学体系,对中国当下美学的建设和美学的发展带来一定启示。

From the perspective of comparison between China and the West,starting from the core spirits of traditional Chinese aesthetics of“life”,“emotion”,“spirit”,this paper makes a profound analysis of the construction and source of the aesthetic system of“theory of emotion base,spirit and life”based on“life vision”,“emotion base”and“spirit orientation”,which is constructed by the famous Chinese aesthetics professor Pan Zhichang in his book Towards Life Aesthetics to debate on practical aesthetics leading by Li Zehou and explain Pan Zhichang’attitude of introductionism in which he widely absorb and draw lessons from the treasure house of Chinese and foreign aesthetics,literature and philosophy,open up the ancient and modern times,integrate the Chinese and western aesthetics to form a unique system of life aesthetics,which brings certain enlightenment to the construction of Chinese literary theory and the development of aesthetics.