摘要
文化景观是人类为满足自身需要,在客观环境基础上,通过叠加文化特质而形成的景观,文化性是文化景观的核心表征。然而,当前文化景观的设计普遍文化性不足。通过对场地与场所的解析,得出场所是人化(文化)了的场地,从物化“场地”转变为人化“场所”,是一种解决文化景观设计中文化性不足的重要路径的结论。进一步提出在文化的场所驱动下,文化性设计的方法包括意向文化选择、场所要素控制(时间物、氛围感与事件)、场所空间表达(人的位置与景的布置)3个层面,并以营口楞严寺西路的4个院子为例,进行了详细的分析例证。
Cultural landscape is a landscape formed by human beings in order to meet their own needs,on the basis of the objective environment,through the superposition of cultural characteristics.Culture is the core representation of cultural landscape.However,the current cultural landscape design is generally lack of culture.Through the analysis of the site and place,this paper draws the conclusion that the place of appearance is a humanized(cultural)site.The transformation from a physical"site"to a humanized"site"is an important way to solve the cultural deficiency in cultural landscape design.This paper further proposes that,driven by cultural places,the methods of cultural design include three levels:intentional cultural selection,place element control(time objects,atmosphere and events),place space expression(people's position and landscape layout),and takes four courtyards on Lengyan Temple West Road in Yingkou as examples for detailed analysis.
作者
刘万迪
陈伯超
张卉
孟子博
LIU Wandi;CHEN Bochao;ZHANG Hui;MENG Zibo
出处
《中国园林》
CSCD
北大核心
2022年第S02期41-46,共6页
Chinese Landscape Architecture
关键词
风景园林
文化景观
场所
场地
文化性
楞严寺
landscape architecture
cultural landscape
place
site
cultural
Lengyan Temple