寓浓郁于古淡中董其昌《秋兴八景图册》设色研究

The Richness in the Lightness of the Past——A Study of Dong Qichang's"Eight Views of Autumnal Revival"in Color

董其昌(1555-1636)作为明代书画界的翘楚人物,提出南北宗论和仿古理论,但其笔下的设色山水又和前人所绘的青绿山水有本质上的不同,这是他在仿古中不断创新的体现。他师法古人之时又师法自然,笔法虚和取韵,用墨秀润淡雅,设色古朴清新。创作于万历四十八年(1620)的《秋兴八景图册》是董其昌晚年的设色经典之作,该画册的笔墨与色彩交相辉映,意境空灵,设色雅致。本文通过分析《秋兴八景图》的用墨和设色特点,探究董其昌的山水画设色理念与实践创新,以及这种创新对后世山水画发展的贡献。

Dong Qichang(1555-1636),as a leading figure in the calligraphy and painting industry of the Ming Dynasty,proposed the theory of Southern and Northern Buddhism and the theory of ancient imitation.However,the colored landscapes in his works are fundamentally different from the green landscapes painted by predecessors,which is a reflection of his continuous innovation in ancient imitation.When he imitated the ancients,he also imitated nature.His brushstrokes were empty and rhymed,his ink was elegant and elegant,and his colors were simple and fresh.The"Autumn Xing Eight Scenery Album"created in the 48th year of the Wanli era(1620)is a classic work of Dong Qichang in his later years.The ink and color of this album complement each other,creating an ethereal and elegant artistic conception.This article explores Dong Qichang's concept and practical innovation of landscape painting color design,as well as the contribution of this innovation to the development of future landscape painting,by analyzing the ink and color characteristics of the"Autumn Revival Eight Scenes".