试析忧郁色彩对基里科形而上绘画现象源启之影响——以《一个秋日午后的谜》为例

Analyzing the Influence of Melancholic Color on the Origin of the Phenomenon of Chirico's Metaphysical Painting:Taking"The Mystery of an Autumn Afternoon"as an Example

本文以基里科形而上绘画的开山之作《一个秋日午后的谜》中色彩呈现出的“忧郁”特征作为切入点,开启对画家形而上绘画源启现象的讨论。首先,以直观地分析图像中色彩的方式,来研究此画所表现的视觉色彩特征和忧郁情感,从而引出形而上绘画的命名来源,由此,建立形而上绘画与形而上学之间隐秘的桥梁,得出形而上绘画包含着“自发生长”与“整体释出”的深层含义。其次,结合画家本人的生平事迹、情感思绪以及对画面的具体剖析,来阐释画家此幅作品中情感色彩所体现的“自发生长”与“整体释出”的绘画现象。由此,来讨论基里科形而上绘画的忧郁之色在此幅作品中的重要性,从而来探讨忧郁色彩对其绘画现象缘起的影响。

This paper takes the"melancholy"characteristics of color in Chirico's seminal painting"The Mystery of an Autumn Afternoon"as the starting point to open a discussion of the origin of the painter's metaphysical painting.Firstly,by intuitively analyzing the colors in the image,the visual color characteristics and melancholic emotions expressed in this painting are studied,so as to lead to the naming source of metaphysical painting,thereby establishing a hidden bridge between metaphysical painting and metaphysics,and concluding that metaphysical painting contains the deep meaning of"spontaneous growth"and"overall release".Secondly,combined with the painter's own life deeds,emotional thoughts and specific analysis of the picture,this paper explains the painting phenomenon of"spontaneous growth"and"overall release"embodied in the emotional color of the painter's work.Thus,the importance of melancholy in Chirico's metaphysical painting in this work is discussed,and thus the influence of melancholic color on the origin of his pictorial phenomenon.