清代宫廷御制书籍渡日与再刊刻——以《御定历代题画诗类》为例

Qing Dynasty Imperial Books and Reprinting in Japan:A Case Study of Imperial Compilation of Poetic Inscriptions of All Dynasties

《御定历代题画诗类》一书属清康熙朝官员以私人力量为宫廷所刻,刊成于康熙四十六年(1707),18世纪中晚期外播东亚,尤以在日本影响为大。该书18、19世纪经长崎输入日本的记录,显现出江户中后期日本社会对清宫御制集部书籍的兴趣,而书籍拍卖价格等具体输入信息则呈现了潜在阅读者群体等更为详细的传播情况。该书在日本产生多个和刻本,其刊刻者的发展变化,折射出江户汉籍出版业的特性与变迁。

The Imperial Compilation of Poetic Inscriptions of All Dynasties was a voluminous poetry book printed for the imperial court by officials in the 46th year of Emperor Kangxi's reign(1707).Since the middle of the 18th century,the book has been widely circulated in East Asia,especially in Japan.Records about the book's import into Japan via Nagasaki in the 18th and 19th centuries show the interest of Japanese society in the Qing imperial books in the mid-to-late Edo period.The Nagasaki auction prices of the book reveal more details about the spread of the book.The number of Japanese engraved copies and the development of the book's publishers reflected the characteristics and changes of Edo's Chinese publishing industry.