社会参与式艺术场域的重构——基于对“羊蹬艺术合作社”的分析

The Reconstruction of the Socially Participatory Art Field:Based on the Analysis of the“Yangdeng Art Cooperative”

中国当代艺术中,社会参与式艺术成为艺术家们跳脱艺术惯例,介入日常生活的形式之一。乡村则因其特殊语境成为社会参与式艺术的实验空间,并在实验过程中不断反思传统艺术的生产以及传播机制。以社会参与式艺术的典型案例“羊蹬艺术合作社”为研究对象,通过考察其在文化生产场中诸多要素的互动关联以及所生成的话语特征,探究参与式艺术特定场域的建构与重塑。

In Chinese contemporary art,socially participatory art has become one of the forms in which artists break away from artistic conventions and intervene in daily life.The countryside has become an experimental space for socially participatory art due to its special context,and constantly reflects on the production and dissemination mechanism of traditional art in the process of experimentation.Taking the typical case of social participatory action called“Yangdeng Art Cooperative”as a research object,this paper explored the construction and reshaping of a specific field of participatory art by examining the interactive relationship of many elements in the cultural production field and the discourse characteristics generated.