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从私下到公开:中国女性电影叙述声音及话语权威的流变 被引量:2

From Private to Public:The Evolution of Women’s Films Narrative Voice and Discourse Authority
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摘要 在女性电影蓬勃发展的当下,文章以叙述声音为切入点对经典影片展开文本分析,探讨叙事话语如何通过各种叙述声音得以表征,形成的话语权威又与社会现实之间有何关联,从而梳理中国女性电影叙述声音及话语权威的流变。历经作者型叙述声音的围城、个人型叙述声音的破壁与集体型叙述声音的萌发,中国女性电影叙述声音由单一走向多元,叙事话语的权威亦随之从私下到公开。目前中国女性电影虽然仍以作者型叙述声音为主,但叙述声音的多元与叙事话语的公开对女性电影的发展具有重要意义。 At the moment of the vigorous development of women’s films,taking the narrative voice as an entry point,this pa⁃per carries out a text analysis of the classic films,discusses how the narrative discourse can be characterized by various narrative voices,and what is the relationship between the formed discourse authority and social reality,so as to sort out the evolution of the narrative voice and discourse authority of women’s films in China.After the siege of the authorial voice,the wall breaking of the personal voice and the germination of the communal voice,the narrative voice of women’s films has changed from single to multi⁃ple,and the authority of narrative discourse has changed from private to public.Although the authorial voice is still the main voice of women’s films,the diversity of narrative voice and the openness of narrative discourse are of great significance to the de⁃velopment of women’s films.
作者 田秋生 王琴 TIAN Qiusheng;WANG Qin
机构地区 暨南大学 广州大学
出处 《上海师范大学学报(哲学社会科学版)》 北大核心 2023年第3期53-60,共8页 Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词 女性电影 叙述声音 话语权威 女性主义 叙事 women’s film narrative voice discourse authority feminist narratology
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