论中国动画电影中数字艺术的介入形态与内在冲突

Interventional Form and Internal Conflict of Digital Art in Chinese Animation Films

随着数字化表现手段的迭代更新,中国动画电影中数字艺术的介入形态日渐趋于多样化。作为表达动画意涵的新路径,数字艺术如何融入到中国动画电影中,更好地贴近现实语境并重构观者的期待视野,一定程度上,既是动画艺术与数字艺术之间的平衡问题,也可归结于借助数字艺术进行白话叙事的策略问题。对中国动画电影中数字艺术的介入形态与内在冲突问题进行梳理和研究,有益于回归动画电影艺术的本源,突破数字艺术的自身局限,实现数字语境下动画主体有关民族人文精神的自由创作。

With the iterative update of digital expression means,the intervention forms of digital art in Chinese animation films are becoming more and more diversified.As a new way to express the meaning of animation,how to integrate digital art into Chinese animated films,make it closer to the realistic context and reconstruct the viewer’s horizon of expectation,to a certain extent,it is not only the balance between animation art and digital art,but also the strategy of vernacular narrative with the help of digital art.It sorted out and studied the intervention form and internal conflict of digital art in Chinese animated films in this paper,which is beneficial to return to the origin of animated film art,break through the limitations of digital art,and realize the free creation of national humanistic spirit by animation subject in digital context.