琵琶曲目《凤阳花鼓》的技法创新探究——以浦东派琵琶演奏技法为例

Technical Innovation of the Pipa Tune Fengyang Flower Drum taking the Pipa Performance Techniques of the Pudong School as an Example

分析了凤阳花鼓和琵琶演奏的音乐形态特征,以浦东派技法为例,结合国家级非物质文化遗产浦东派琵琶的第七代传承人潘亚伯教授的实践教学,探究在多元化大背景下浦东派对琵琶曲目《凤阳花鼓》的技法创新,从《凤阳花鼓》的曲式结构和旋律特色、演奏技法和创新等方面对其进行一定说明、阐释,以期为音乐爱好者以及专业琵琶演奏学生提供一定借鉴。

It first analyzed the musical form characteristics of Fengyang Flower Drum and Pipa,and then taking the techniques of the Pudong School as an example,it combined with the practical teaching of Professor Pan Yabo,the seventh generation inheritor of the national intangible cultural heritage of the Pudong School Pipa,to explore the technical innovation of the Pipa piece Fengyang Flower Drum in the context of diversification.From the musical structure and melody characteristics of Fengyang Flower Drum provide a certain explanation and explanation on the performance techniques and innovation of the work.It expected to provide some advice for music enthusiasts and professional pipa performance students.