赵树理“民族形式”创作的实践

On the Practice of Zhao Shuli’s“National Form”Creation

抗战时期文艺“民族形式”的发展成为解放区关注的焦点。赵树理将民间形式的创作和新民主主义内容巧妙结合,为充分利用旧形式建构民族形式的内涵提出了一种可能性,继承了旧形式话本“偏听性”的文学选择、旧白话小说“通俗化”的语言方式、传统戏曲“可演性”的创作方法“。可听“”可说“”可演”的文学形式组合成富有中国气派的文学创作,具有丰富的“民族形式”创作实践的意义。

The development of“national form”in literature and art during the war of resistance against Japanese aggression became the focus of attention in the liberated areas.Zhao Shuli skillfully combined the creation of folk forms with the content of the new democracy,suggesting a possibility for making full use of the old forms to construct the connotation of national forms.The“national form”inherited the literary choice of“listening”in the old scripts,the“popularized”language style of the old vernacular novels,and the creative method of“performability”of traditional operas.The literary forms of“listenable”,“speakable”,and“performable”are combined into a literary creation full of Chinese style,which expresses the significance of the creative practice of“national form”.