“民族互嵌”视域下的民族类博物馆介入性艺术研究

A Study of Engaged Art in Ethnic Museums in the Context of Ethnic Integration

在“民族互嵌”理论的背景下,民族类博物馆因文化事件汇聚了精神的共鸣,可能成为一种动态的民族互嵌社区。为了维护动态社区多方交流、不断融合的性质,民族类博物馆积极引入了介入性艺术实践与理论。介入性艺术是20世纪70年代欧美国家开始广泛实践,并在90年代形成自律审美体系的一种艺术的新样态。它强调民众在艺术实践各个环节的参与性和影响力,因紧扣社会议题,反映出艺术当下的政治功能。中国民族类博物馆中现有的介入性艺术主要分为三种类型——参与性展示、行为表演、社会活动,作为对国内外介入性艺术问题的补充,它提供了新的视角和研究材料,也为民族类博物馆跨学科实践提出一种衔接的思路。

With the policy promotion of extensive contact,interaction,and blending among ethnic groups,ethnic museums,where people gather for cultural appreciation or spiritual resonance,may become a dynamic community of ethnic integration.In order to foster multifaceted exchanges and integration,ethnographic museums have introduced the theories and practices of engaged art.Engaged art is a new form of art that began to be widely practiced in Europe and the United States in the 1970s,and formed a self-regulating aesthetic system in the 1990s.It emphasizes the participation and influence of the public in all aspects of art practice,and reflects the political function of art at the moment as it is closely linked to social issues.The existing engaged art in Chinese ethnic museums include three main types:participatory displays,performance,and social events.The practices in China provides new perspectives and research data to the world's engage art field.It also provides a new way of thinking about interdisciplinary practices in ethnic museums.