摘要
一绘画研究的双重视角视觉文化的要义,是以视觉方式进行表达、传播和交流,而绘画的本意也莫不如此。文化人类学家们认为,史前绘画具有原始宗教的功能,是巫术和仪式的产物。但是,最迟在文艺复兴以后,西方绘画便摆脱了这种工具主义的束缚,而逐渐发展为一种独立的审美文化现象。
The mission.of visual culuarc jis lo express spreadand communicate in some visal manner.which isalso the task of painting.Anthropologists think thalpre-historical paintings.which are the productsof wilcherafi and rinal,have religious finctions.Afier the Renaissance_hgwever western paintingbroke the bounds ofinstrumentalism and developedgradially toward an independen aesthetic forim.Thar's.prohably why formalisn became dominantin wesiern ar in modern tines.
出处
《当代美术家》
2008年第3期4-8,共5页
Contemporary Artists
