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哈密巴里坤县域“坤郡八景”景象空间特征探究

Analysis on the Spatial Characteristics of Traditional Eight Scenes in Balikun County,Hami
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摘要 中国传统八景文化是古人对自然山水、人文意趣的审美感知与文化内涵的集称体现,新疆地处我国西北边陲,八景文化现象肇始于清乾隆时期,其特殊地理特征下自然景象与人文景象的景貌体系均能成为中国边疆八景文化的典型代表。以东天山哈密地区巴里坤县“坤郡八景”作为研究对象,通过对中国传统八景文化的起源与内涵分析、新疆八景文化之于中国传统八景文化现象的起源与形成,以“坤郡八景”景象空间格局、景象空间类型进行分析研究,得出三个圈层的景象空间分布特征;进而归纳总结出景象游线序列型、景象视线导引型、综合导引型三种景象空间模式,进一步厘清中国边疆民族地区八景文化其景观空间原真素材成景价值。 The traditional Chinese eight-scenery culture is the collective expression of the ancients’aesthetic perception and cultural connotation of natural landscapes and humanistic interest.Xinjiang is located in the northwestern border of China,the eight-scenery cultural phenomenon originated in the Qianlong period of the Qing Dynasty.Under its special geographical characteristics,the natural and humanistic scenes are combined the landscape system can become a typical representative of the culture of the eight frontiers in China.Taking the“Kun County Eight Scenic Spots”in Barkol County in the East Tianshan Mountains as the research object,through the analysis of the origin and connotation of the traditional Chinese Eight Scenic Spots culture,and the origin and formation of the Xinjiang Eight Scenic Spots culture from the chinese traditional eight landscape cultural phenomena,the“Kun County Eight Scenic Spots”analyze and research spatial pattern and types of the scene space,and get the spatial distribution characteristics of the scene in the three circles;and summarize the three scene space modes:the sequence type of the scene tour,the guide type of the sight line,and the type of comprehensive guide,To further clarify the value of the original material in the landscape space of the eight scenic cultures in the frontier ethnic regions of China.
作者 赵泽龙 刘晖 Zhao Zelong;Liu Hui
出处 《古建园林技术》 2023年第3期58-62,共5页 Traditional Chinese Architecture and Gardens
基金 国家社会科学基金“中国古代建筑思想通史的编史学与史料学研究”(19AZD030)。
关键词 风景园林 坤郡八景 景象空间 八景文化 巴里坤 Landscape Architecture Kun County Eight Sceneries Scenery Space Eight-scenery Culture Balikun
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