西部民族美术作品中的时代主题性研究

The Thematic Research of the Times in the Western Ethnic Fine Arts Works

西部民族美术植根于民族文明的交流互鉴,生发于民族文化的历史积淀。在多元民族文化领域中,西部民族美术以丝路文明传播为线索,由多元文明形态和文化关系构成了西部美术的创作思路。西部民族美术作品对于时代的发展具有重要的媒介作用和积极的文化能动性,对于不同民族文化的差异性起到了直观的调和作用,这一特征使得西部民族美术可以跨时空、跨地域地传承发展。宏观地看,西部民族美术是以中华优秀传统文化为母体的地域文化,铸牢中华民族共同体意识是西部美术创作的根基。微观地考察,西部民族美术包含丰富的共生关系,西部各民族文化之间呈现相互依存、相互包容、相互发展的共生形态,从而形成了中华民族特有的文化生态系统,中华民族多元一体格局得到了孕育和弘扬,“你中有我,我中有你”的民族心理结构被进一步强化,各民族的国家认同和文化认同被进一步巩固。

Western ethnic fine arts is rooted in the exchange and mutual learning of ethnic civilization,and originated from the historical accumulation of national culture.In the field of multi-ethnic cultures,western ethnic fine arts takes the spread of Silk Road civilization as the clue and constitutes the creative ideas of western fine arts with forms of multi-civilization and cultural rela-tions.Viewing from a macroscopical investigation,ethnic art creation in western China is a regional culture based on the excellent traditional maternal culture of China,and consolidating the consciousness of Chinese national community is the foundation of ethnic art creation in western China.Viewing from a microscopic investigation,the western ethnic art contains rich symbiosis,and the eth-nic art creation in western China presents the symbiosis form of mutual dependence,mutual tolerance and mutual development,thus forming a unique cultural ecosystem of the Chinese nation,so that the idea of Chinese integration has been nurtured and car-ried forward,the national psychological structure of"you belong to me and I belong to you"has been further strengthened,and the national identity and cultural identity of all ethnic groups have been further consolidated.