安庆城市公共空间黄梅戏展演的社会文化意义与认同建构——以莲湖公园和江滩公园为例

SOCIO-CULTURAL IMPLICATION AND IDENTITY CONSTRUCTION OF HUANGMEI OPERA PERFORMANCE IN URBAN PUBLIC SPACE OF ANQING:A CASE STUDY OF LIANHU PARK AND JIANGTAN PARK

嵌入城市公共空间的黄梅戏展演赋予空间以新的意义。结合建构取向的地方理论与方法—目的链理论,以安庆莲湖公园和江滩公园黄梅戏展演为研究对象,分析公共空间黄梅戏展演的社会文化意义生成过程与认同建构。研究发现不同年龄群体基于黄梅戏展演的文化属性、公共空间的物质属性以及两者交织催生出的社会属性,赋予空间以情感、健康和社交意义。行为主体在公共空间中释放自己的同时进一步发挥黄梅戏展演的中介功能,不断强化身份和地方认同。不同类型公共空间展演形式的互补性与差异性,共同促进黄梅戏成为地方文化的表征。融合多元理论视角解析意义生成与认同效应,有助于识别空间感知的复杂结构,为传统戏剧的理论研究和实践发展提供参考借鉴。

This study combines the construction-oriented place theory and means-end chain theory,takes Lianhu Park and Jiangtan Park as two typical urban public space,to analyze the formation process,hierarchical structure and identity construction of the socio-cultural implication of Huangmei Opera performance.The material attributes of Lianhu Park and Jiangtan Park provide the stage space for Huangmei Opera,the older generation realize the purpose of improving the quality of life based on the perception of material attributes,the younger generation also recognize the physical and mental health benefits of space for the older generation.The interweaving effect of material and cultural attributes of public space promotes the formation of social attributes,the openness of the material space of Lianhu Park leads to the gathering of diversified performance forms,the older generation seek the sense of belonging through the conclusion of social relations and companionship,the younger generation seeks family gathering through companionship.The limited material space of Jiangtan Park makes the performance form relatively simple,so it became a gathering place for the older generation,the younger generation often choose to live outside the boundaries of performance space,Based on this,the older generation release themselves and seek identity through embodied practice of Huangmei Opera in urban public space,and the gathering of the older generation makes the construction of identity broken of the younger generation.