电影《布达佩斯大饭店》知觉与空间语言的解读

Interpretation of the Language of Perception and Space in the Film The Grand Budapest Hotel

电影《布达佩斯大饭店》的导演韦斯·安德森对电影的视觉艺术与叙事手法进行探索,并将其运用到建筑空间的实践中,呈现出丰富的视觉效果,给观众带来不同寻常的情感体验。文章试图通过多个领域的探索,来追溯《布达佩斯大饭店》的创作源头并厘清电影中知觉语言的主要脉络,验证《布达佩斯大饭店》对与建筑相关艺术特点的重视以及与现实建筑创作的密切联系。

Wes Anderson,the director of The Grand Budapest Hotel,explored the visual and narrative art of cinema and applied it to the practice of architectural space to produce a rich visual effect and an unusual emotional experience.This paper attempts to trace the origins of The Grand Budapest Hotel and clarify the main lines of perceptual language in the film through a number of areas of exploration,verifying the emphasis on the artistic features associated with architecture and the close connection between The Grand Budapest Hotel and the creation of real architecture.