摘要
本文以虚拟偶像为典型案例,通过对数字艺术开放性文本中制作者与受众的自由表达,受众经由视觉观看而“嵌入”数字技术超真实幻象的感性互渗,以及数字媒介奇观中审美解放的困境等问题的讨论,解析数字美学的核心问题,即如何面对基于技术中介的审美体验,以此理解数字艺术实践如何借助数字技术的开放性、平等性、互动性等,实现人类对理想世界的无限想象与自由创造。
Taking the virtual idol as a typical case,this paper discusses the free communication between the composer and audience of open digital artistic texts,the perceptual mutual penetration of the hyperreality"embedded"in digital technology and watched by the audience,and the predicament of aesthetic liberation in digital media spectacles.In doing so,it analyses the key issue of digital aesthetics:how to understand aesthetic experiences expressed through technical media.A better understanding of the practice of digital art will help people to realise their unlimited imagination and promote innovation through the openness,equality,and interactive nature of digital technology.
作者
孙金燕
Sun Jinyan(School of Literature and Media,Yunnan Minzu University)
出处
《符号与传媒》
2023年第1期33-43,共11页
Signs & Media
基金
国家社会科学基金重大项目“当代艺术提出的重要美学问题研究”(20&ZD049)阶段性成果
2020年度教育部人文社会科学研究一般项目“中国当代奇幻小说叙事研究”(20YJC751023)中期成果。
关键词
数字美学
技术中介
审美体验
虚拟偶像
digital aesthetics
technical media
aesthetic experience
virtual idol
