悲剧的形而上学:作为德国浪漫派后裔的青年卢卡奇

The Metaphysicss of Tragedy:Young Lukacs as a Follower of German Romanticism

作为青年卢卡奇的基本命题之一,心灵-形式的二元生活哲学与浪漫派的诗化哲学之间具有密切的理论联系,该问题在《悲剧的形而上学》中得到了集中反映。卢卡奇对悲剧进行了浪漫化、神秘化的处理,通过悲剧的“伟大瞬间”及“内在上帝”的纯粹自性体验,重提现代主体的悖谬性生存困境。悲剧体裁被赋予了浪漫化的伦理指涉,这使得散文时期的卢卡奇在某种意义上成为了谢林、施莱尔马赫等浪漫主义者的忠实后裔。

As one of the basic propositions of the young Lukacs,the dualistic life philosophy of mind and form has a complex theoretical connection with the poetic philosophy of the German romanticism.This question is revealed in The metaphysics of tragedy.Lukacs revisit the paradoxical survival dilemma of the modern subject through the"great moment"of the tragedy and the pure self-experience of"inner God".The genre of tragedy is endowed with romanticized ethical references,making Lukacs a faithful descendant of Schelling,Schleiermacher and other romantics in some degrees.