澄怀味象:新安画派的文化情怀

Bearing Emptiness and Quietness to Appreciate the Beauty:The Culture of the Xin’an Painting of School

以渐江为首的新安遗民派对世间持冰冷态度,在画中抒发“虚静”与世无争的情怀。从渐江、郑旼、查士标等人绘画中的“静美”与自身境遇出发,探析新安派画家“心与物冥”的主客体合一思想。以“道”自居的新安派画家为了在画面中表达自贵、自高的情操,将黄山不同尘俗的景色图像画。由黄山这一题材构成的艺术符号赋予画面浓郁的象征与纪念意味。新安派画家在创作中达到传统、生活、心源的三位一体,有各顺其势的“师道自然”之韵致,亦有鲜明的时代特色和地域特色。

Led by Jian Jiang,the adherents of Xin’an School had a cold attitude towards the world and expressed their feelings of“emptiness and quietness”in the paintings.Based on the“tranquility beauty”in the paintings of Jian Jiang,Zheng Min,and Cha Shibiao and others,this paper explores the unity of subject and object of“mind and matter”of painters of Xin’an Painting of School.In order to express the feelings of self-respect and self-conceit,the painters,who believed in“Tao”,painted the different scenes of Mount Huangshan.The artistic symbols made up of the theme of Mount Huangshan endow the picture with strong symbolic and commemorative meaning.Painters of Xin’an Painting of School have achieved a trinity of tradition,life and heart in their works and they have the charm of“learning from nature”,as well as the distinctive features of the times and regions.